[all installments by Mark Jenkins]
The artist used plastic bags and cloth to make sculptures in strange and ironic places. I like the person floating in the river with the balloons tied to them, as well as the bag baby breastfeeding. The girl passed out at the restaurant is a good one too.
Installation art. or some kid lost their shoe.
I like the irony in this. Even if some kid just lost a shoe.
Building Blocks.
I don’t like this one. Its tacky.
Radioactive Control
Luzinterruptus
http://www.luzinterruptus.com/
Im not sure what the artist used, but to me it is a comment on nuclear energy and its dangers. The figures are very ghost-like and enigmatic, like lost souls.
Chen Wenling, What You See May Not Be Real, 2009, fiberglass and paint. Installation in Beijing Art Gallery in 2009
The “farting bull” sculpture by Chinese artist Chen Wenling is pretty straightforward. It depicts an explosive fart by the golden bull of Wall Street pinning a demon-horned Bernie Madoff to a wall. One writer described the sculpture as weird, wild, and wicked. Happy Sunday-funday!
The Artist used fiberglass and paint to make a political statement about the economy and Bernie Madoff.
Artist & Baker:
Scott Hove
From the “Cakeland” Category
“Cakeland is a series of sculptures and installations resembling perfect delicious cakes— wall mounted, hanging and standing— and walk-through cake environments complete with their own lighting.
The sculptures have all of the appeal of the best cake you have ever tasted, but can never be eaten. The nature of edible cake is fleeting, lasting only as long as the brief celebration it was made for. These cakes last as long as the artist or society have the wherewithal to preserve them.
Being such a destination of beauty, Cakeland requires that it be equipped with its own defense, because the reality of beauty and perfection is that people want to possess it. The sculptures, with their display of beauty and potential for satisfaction, lure the viewer into a sense of anticipation. The viewer will slowly notice that Cakeland contains defensive elements, not immediately seen, that create a sense of anxiety and fear. This in turn creates a visual and emotional resonance that is intended to represent what we all have to deal with in our lives everyday… the hunt for satisfaction, and the anxiety that we won’t get it. Cakeland is also a celebration of the artificial, and acknowledges our tendency to embrace the artificial in order to feel safe or receive emotional gratification. Cakeland also can serve as an analogue for the search for temporal love; the experience can be incredibly sweet and indulgent, punctuated by moments of insecurity and terror.
The sculptures are formed using carvable rigid polyurethane foam and plywood. The installations are constructed of cardboard, plywood, and any found object that has a suitable form. They are frosted with a variety of acrylic media, using traditional cake decorating tools, and accessorized with fake fruit and other objects found in stores or on the street.”
(via rfmmsd)
asiulus
Troels Carlsen
ANEESH VINI, BANGALORE
Self-Portrait, Linoleum Block Print, 6”x4”
